Sound Waves vs. Light Waves
Most recent answer: 10/22/2007
- matt (age 22)
hudson valley c.c., albany
Matt -
The key background to this question is the nature of sound waves and light waves. You’re right in that sound waves are a vibration traveling through an object, including "condensed" things like solids and liquids. In solids, those waves can consist of either alternating compressed and stretched regions, or regions wiggling sideways, compared to the direction the wave is traveling. Light is a wave of oscillating electric and magnetic fields perpendicular to the direction it’s going. Light can travel fine through a vacuum, which can have fields in it, but there can’t be sound in a vacuum
because there’s no stuff there to oscillate.
Audible sound has frequencies that cover a very big range, from about 20 Hz to 20,000 Hz, meaning that the pressure at your ear oscillates back and forth 20 to 20,000 times per second. Each frequency gives a different audible pitch. Visible light has frequencies from around 4*10^14 Hz to around 8*10^14 Hz. Each frequency gives a slightly different visible color. Not only are the light frequencies much higher, but the highest one is only about twice the lowest one. The sound frequencies are much lower, and the highest one is a thousand times higher than the lowest one. So you can see that there’s no direct match between the sound and light oscillations.
If you are wondering what effect the pigments (light absorbers) in a material have on the type of sounds that come from it, the answer is usually: not much. There’s not much connection between the frequencies of light some pigment absorbs and the frequencies of audible sound it might absorb or emit. The color of a pigment also is really unconnected with the density or rigidity of the molecules, which affect how sound travels. Lots of different common pigments are organic compounds with densities not too far from 1 gram/cm^3, yet these provide a whole array of different colors.
On a different note. Musicians often refer to sound as having color. This refers to a different concept than the color that pigments give. When you overlap various pure tones of sound, the overall effect sounds different but has the same fundamental tone. For example, a trumpet sounds vastly different than a flute even if both are playing the same note. The difference (or color) comes from higher frequencies (called harmonics) that the instrument adds to the fundamental tone.
Adam & Mike
(published on 10/22/2007)
Follow-Up #1: sound and color
- Anonymous
Here's another question: are there any studies of any kind showing that the mental sense associating sounds and color actually fits the particular map you've mentioned?
Mike W.
(published on 08/31/2009)
Follow-Up #2: sound vs. light
- Wilson (age 19)
Charlotte, NC
Mike W.
(published on 01/24/2011)
Follow-Up #3: hearing Tesla resonators
- Harrison (age 22)
Bloomfield, MI, US
If I understand right, a Tesla resonator is a type of electromagnetic waveguide. Although you would not directly hear the electromagnetic wave, you might hear some ordinary sound waves created by stresses and strains in the resonator as the EM wave traveled through it. If the EM wave was at 500 Hz, the lowest frequency sound would be at 1000 Hz, since the stress from the EM fields is the same if you flip their direction. To get 500 Hz sound out you'd need to drive some sort of element other than the Tesla resonator. Any sort of loudspeaker would do.
4*106 Hz is far below the visible frequency range. If you do make a waveguide for visible light, say with fiber optics, you can of course see the light that comes out. I don't see a good way to make that sort of waveguide with Tesla resonator, especially when there are such better alternatives.
Mike W.
(published on 06/08/2013)
Follow-Up #4: synesthesia
- Laura (age 38)
Atlanta, GA USA
Thanks!
Mike W.
(published on 02/08/2016)