Matt -
The key background to this question is the nature of sound
waves and light waves. You’re right in that sound waves are a
vibration traveling through an object, including "condensed" things
like solids and liquids. In solids, those waves can consist of either
alternating compressed and stretched regions, or regions wiggling
sideways, compared to the direction the wave is traveling. Light is
a wave of oscillating electric and magnetic fields perpendicular to
the direction it’s going. Light can travel fine through a vacuum,
which can have fields in it, but there can’t be sound in a vacuum
because there’s no stuff there to oscillate.
Audible sound has frequencies that cover a very big range,
from about 20 Hz to 20,000 Hz, meaning that the pressure at your ear
oscillates back and forth 20 to 20,000 times per second. Each
frequency gives a different audible pitch. Visible light has
frequencies from around 4*10^14 Hz to around 8*10^14 Hz. Each
frequency gives a slightly different visible color. Not only are the
light frequencies much higher, but the highest one is only about
twice the lowest one. The sound frequencies are much lower, and the
highest one is a thousand times higher than the lowest one. So you
can see that there’s no direct match between the sound and light
oscillations.
If you are wondering what effect the pigments (light
absorbers) in a material have on the type of sounds that come from
it, the answer is usually: not much. There’s not much connection
between the frequencies of light some pigment absorbs and the
frequencies of audible sound it might absorb or emit. The color of a
pigment also is really unconnected with the density or rigidity of
the molecules, which affect how sound travels. Lots of different
common pigments are organic compounds with densities not too far from
1 gram/cm^3, yet these provide a whole array of different colors.
On a different note. Musicians often refer to sound as
having color. This refers to a different concept than the color that
pigments give. When you overlap various pure tones of sound, the
overall effect is a sound that is slightly different in how it sounds
but has the same fundamental tone. For example, a trumpet sounds
vastly different than a flute, but the can both be playing the exact
same note. The difference (or color) comes from higher frequencies
(called harmonics) that the instrument itself adds to the fundamental
tone.
Adam & Mike
(published on 10/22/2007)